Day: October 17, 2005

Take Ten Percent Off the Top

As token gestures go, this one is particularly insulting. Executives at Delphi, the financially troubled auto parts producer that was spun off from GM a few years ago, are voluntarily cutting their million dollar salaries by as much as 20% as the company goes through bankruptcy procedures and seeks to void its union contracts and slash the pay of its workers by as much as two-thirds. This magnanimous act was meant to make up for the previously announced (now retracted) executive bonuses meant to “entice” these brilliant captains of industry to remain with the company through the hard times that they caused. The workers at Delphi make around $26 an hour. The business community likes to toss around the figure of $70 an hour, which would include the cost of payments for medical insurance, pension funds and other benefits. Delphi says these wages make the company uncompetitive, as similar workers […]

Telegraphing the Tension Through the Title

The tension between solo work and band work is sometimes palpable, as is the resentment of the post-breakup competition. Sometimes it’s laid right out in the album title. Here are my five favorite pissed-off, post (or pre)-breakup album titles. Or at least, the first five that occurred to me while writing this. 5. Bach’s Bottom by Alex Chilton. The mercurial lead singer of Big Star has had some pretty confounding output as a solo artist. His first almost-complete record mostly consists of covers (fans would eventually get used to this). His nervy and needy cover of “Can’t Seem to Make You Mine” is the best ever, while his original “Bangkok” features a double entendre that would make AC/DC’s eyes roll. Alex was in a band called the Box Tops, y’see, before Big Star. See, bad puns abound! 4. Rigor Mortis Sets In by John Entwistle. The Who’s bassist, the writer […]