The Great Blog Circle Jerk, part II

Richard Winger, the stalwart defender of independent and third party ballot access rights, and the man who has kept the Coalition for Free and Open Elections going, has put the Ballot Access News online as a blog. It is a tremendous resource for news and information about legal challenges to this country’s various draconian ballot access laws, as well as occasional success stories from third parties.

The Drum Major Institute, the non-partisan, non-profit progressive think tank, has launched a new blog. My friends Elana Levin and Amy Traub work for DMI and are among the contributers.

Take Ten Percent Off the Top

As token gestures go, this one is particularly insulting. Executives at Delphi, the financially troubled auto parts producer that was spun off from GM a few years ago, are voluntarily cutting their million dollar salaries by as much as 20% as the company goes through bankruptcy procedures and seeks to void its union contracts and slash the pay of its workers by as much as two-thirds. This magnanimous act was meant to make up for the previously announced (now retracted) executive bonuses meant to “entice” these brilliant captains of industry to remain with the company through the hard times that they caused.

The workers at Delphi make around $26 an hour. The business community likes to toss around the figure of $70 an hour, which would include the cost of payments for medical insurance, pension funds and other benefits. Delphi says these wages make the company uncompetitive, as similar workers in Mexico make one tenth of that. They probably wager that the public at large aren’t as sympathetic to these greedy union members who make too much money.

Well, think about this. $26 an hour probably translates to around $50,000 annually, more with overtime. That’s enough to support a family, maybe buy a house and have some expectation to send your kids to college. That’s not wealthy, folks. That’s not too much money. That’s the elusive American Dream. Ten dollars an hour, on the other hand, would result in an annual income that would qualify for the Earned Income Tax Credit. For welfare, in other words. That’s the kind of change that the two-thirds pay cut that Delphi’s executives seek would produce in their workers: from the middle class to the welfare line.

What kind of sacrifice does a 10% reduction of a million dollar salary produce? One less trip to Paris? A smaller yacht? Delphi’s token gesture towards shared sacrifice is a total insult, and it makes my Bolshevik blood boil. How about a 10% reduction of their actual persons, starting right at the top. Off with their heads!

Telegraphing the Tension Through the Title

The tension between solo work and band work is sometimes palpable, as is the resentment of the post-breakup competition. Sometimes it’s laid right out in the album title. Here are my five favorite pissed-off, post (or pre)-breakup album titles. Or at least, the first five that occurred to me while writing this.

5. Bach’s Bottom by Alex Chilton. The mercurial lead singer of Big Star has had some pretty confounding output as a solo artist. His first almost-complete record mostly consists of covers (fans would eventually get used to this). His nervy and needy cover of “Can’t Seem to Make You Mine” is the best ever, while his original “Bangkok” features a double entendre that would make AC/DC’s eyes roll. Alex was in a band called the Box Tops, y’see, before Big Star. See, bad puns abound!

4. Rigor Mortis Sets In by John Entwistle. The Who’s bassist, the writer behind “Whiskeyman” and “Boris the Spider” (which, for the record, was Jimi Hendrix’ favorite Who song), dabbled in a solo career as Townsend the artiste started hogging entire records with his damn “operas.” I guess even the Ox had to admit that his creative juices weren’t quite flowing the way they used to by the time of his third record.

3. I’ve Got My Own Record To Do by Ron Wood. Rod Stewart used to be cool, back when he was in the Faces. He was still a bit of a prick, though, as he cultivated his solo career at the expense of his band. “I’ve got my own record to do,” was his excuse for skipping band sessions. Wood, the Faces’ guitarist, decided to use his time off productively, cutting a record with none other than Keith Richards. By the time Rod the Mod announced that he was through with the Faces, Woody had a better job lined up.

2. Congratulations, I’m Sorry by the Gin Blossoms. Your band has just scored a string of hits on “alternative” radio, but your principal songwriter (who is not the singer) has a huge heroin problem. How to deal? Kick him out of the band, but be sure to buy his rights to the songwriting royalties. Now, how do you apologize when he spends all that money on heroin, and then blows his brains out? Do it in the follow-up album title.

1. 75% Less Fat by Chris Mars. Mars was the drummer for the fabulously fucked-up Replacements. He was “replaced” for their last record and tour. Two years later, when he returned to recorded music, Mars decided to play the whole album himself. The Mats were a quartet. Do the math.

Extra! Extra! The Socialist Is Online!

After much ado, the complete September-October issue of “The Socialist” is finally available online.

The United States Postal Service has apparently revamped its bulk mail
rules which has resulted in an extremely disappointing delay in this
issue getting our readers’ hands all ink-stained and sloppy.

When this issue went to press, back in late August, articles like B.
Guise’s expose of Bush’s ExxonMobil connection and Barbara Garson’s
skewering of Paul Wolfowitz were poppin fresh and relevant. Now they’re
merely relevant. Sadly, David McReynolds’ “troops out now” article could probably be published verbatim two years from now and still be fresh.

In any event, please check out the new issue, and consider subscribing. Thank you for your support.