“Ever Get The Feeling…”
Finally watching Julian Temple’s revisionist Sex Pistols documentary, “The Filth and the Fury,” I get the feeling that perhaps I wasn’t cheated after all. Like many 15-year-olds, the Sex Pistols for me were a gateway to new rebellion and new friends. I bought every officially released note of music and a goodly amount of bootlegs, eagerly read every book or article I could about them and sought out every interview I could with John Lydon, as he was legally obligated to call himself back then. (In fact, I was tuning in to W-DRE for an interview with Lydon on the occasion of the publication of his new memoir when I learned of Kurt Cobain’s suicide.)
The Pistols had the kind of attitude that only a 15-year-old could love. Spitting, sneering swagger. Vague contempt for authority (who? why?). Non-conformist and no respect for rock-n-roll as an “Institution.”
And then you grow up, and you start to think that instead of being some kind of truth-telling iconoclastic leader, that maybe John Lydon (nee Rotten) is a wee bit autistic and just generally a prick. And perhaps a bunch of nabobs wearing identical black leather jackets and purple mohawks are victims of the worst kind of conformity. And perhaps rebellion requires a specific target and grievance. And, worst of all, perhaps punk rock, as ritualistic rebellion against record labels and Elvis Presley has become a kind of institution itself. And then the Sex Pistols regroup for a couple of cash-in nostalgia tours, and you put away your Pistols records for fifteen years or so.
Well, the music still packs a punch. And Lydon can still focus his withering rage with a laser-like focus (if only Temple could more specifically place the Pistols and the punk rock movement in their particular geopolitical moment). But, mostly, “The Filth and the Fury” finds surprising pathos in the pathetic story of John Simon Ritchie (nee Sid Vicious). Throughout the film, Temple weaves in an interview with Vicious recorded after the Pistols breakup but before his New York adventures. With a stupid bloody scab on his face, Vicious comes across as both a pathetic junky and the scared little kid (he couldn’t have been more than 19-years-old). He just seems so tragically overwhelmed by circumstances. The poor kid can’t even manage a poker face, a facade or even a no comment. Instead, he plainly and meekly complains that he doesn’t want to be a junky all his life, and describes in excruciating detail the pain of junk withdrawal. Elsewhere, some prescient videographer documents, the uneasy co-dependent co-existence he shared with groupie/murder victim Nancy Spungeon. If the tears that John Lydon chokes back in remembrance (far more effectively recorded in the shadows than if Temple had focused a spotlight) don’t get you choked up, then maybe you’re as black-hearted as the film’s villain, Malcolm McClaren, who profited from Sid’s pathetic end.
The film was good enough that it inspired me to rip my old Pistols CDs onto my digital audio player (no brand names, comrades). Would that someone would do for Nirvana for today’s 15-year-olds, fifteen years hence.
Sussex CCC: Respect Your Employees!
Nearly three years after organizing their union, the professional and support staff at Sussex County Community College have had to endure union-busting efforts and attacks on their free speech rights.
Take action by telling the college administration to respect their employees’ rights and bargain in good faith with the American Federation of Teachers, and join us on Tuesday, April 28 from 4:30 to 6:00 for a rally in support of the union at Sussex CCC.
One College Hill Road, Newton, NJ 08760.
Call 413-627-6490 for more information.
Pirates of the New Economy
Skylar Deleon should have waited five years. The former child actor (he was a bit player on “The Mighty Morphin Power Rangers,” not, alas, an actual Power Ranger) was sentenced to die by lethal injection for the murder of Thomas and Jackie Hawks. In November of 2004, Deleon responded to an advertisement that the Hawks had posted to sell their yacht, the Well Deserved (and, no, I’m not making this up), and joined them for a test drive (or whatever the nautical equivalent of a test drive is). When they got out into the ocean Deleon forced the Hawks to sign over the title to the yacht, tied the couple to an anchor and dropped them to the bottom of the ocean.
Deleon planned to get away from his financial problems and sail to Mexico. Apparently, after the “Power Rangers,” Deleon had a Forest Gump-like knack for stumbling through the cultural zeitgeist and swindled a living as a mortgage broker and “entrepreneur.” Today, a lot of us have financial problems, and owning a yacht is a luxury that people seem all-too-willing to walk away from. According to the NY Times, as boat owners face difficulty making payments on loans and dock slips, many owners are simply unmooring their boats and letting them float out to sea. These abandoned boats are an environmental hazard, and localities are rushing to pass laws to outlaw the abandonment of a sea vessel.
Florida officials say they are moving more aggressively to track down owners and are also starting to unclog the local inlets, harbors, swamps and rivers. The state appropriated funds to remove 118 derelicts this summer, up from only a handful last year.
In South Carolina, four government investigators started canvassing the state’s waterways in January. They quickly identified 150 likely derelicts.
[snip]
Crab Bank, a protected bird rookery in the harbor within sight of Fort Sumter, is home to a dozen derelicts — two sunken, two beached, the other eight still afloat. They range from houseboats to a two-masted sailboat.
It’s not hard to see where this trend will end up: Piracy! I’m only half-kidding. If a two-bit punk like Skylar Deleon could resort to double homicide and theft to realize a fantasy of sailing away to Mexico to continue a career of pettier larceny and confidence schemes during a relatively decent economy, what we’ve got now is a whole lot more desperate unemployed people out there, a small flotilla of houseboats, yachts and speedboats and the compelling example of the very successful Somali pirates.
I’m almost tempted to spit on my hands and hoist the black flag, myself. Of course, as a pacifist, I need to tweak the Somali model of piracy. Perhaps I could sail alongside civilian yachts, climb aboard, look really menacing and then announce that I have Snickers bars for sale “not to raise money for my basketball team or my school, but to put money in my pocket and keep me out of trouble.”
Things the Grandchildren Should Buy
Eels frontman, E., has long mined personal tragedy to make uplifting art. Starting with 1997’s beautiful “Electro-Shock Blues,” a visceral elegy to the twin tragedies of his sister’s suicide and his mother’s death from cancer (events that occurred within months of his scoring his first big hit with “Novocain for the Soul”), and culminating with 2006’s sprawling “Blinking Lights (And Other Revelations),” E has incorporated his family biography into his music. But in the last two years, the erstwhile Mark Oliver Everett has gotten explicitly autobiographical. First, he hosted a documentary, which aired in the U.S. on PBS’ “Nova,” about his troubled genius of a father, Hugh Everett III, who directly challenged Niels Bohr with his “many worlds” theory and was crushed, professionally and spiritually, as a result. Finally, E published a sprightly memoir, “Things The Grandchildren Should Know,” late last year.
The book reveals Everett as a memoirist on par with Sedaris and as a smart ass philisopher who could hold his own with Vonnegut. The Vonnegut comparison is particularly apt. All that’s missing is the “So it goes” refrain as death compounds death. The tragic slow decline of his older sister is well-worn territory, but brings extra poignancy to both the book and the earlier eels LPs, while his bizarro accounts of a mad scientist father who spoke not more than a dozen sentences to his son during his life would be too fantastical, if it were not corroborated by the “Parallel Lives” documentary. Meanwhile, a beloved dg is put to sleep (so it goes), a ghost-watching neighbor unexpectedly passes (so it goes), a beloved roadie OD’s on heroin after a joke made in bad taste (so it goes) and a cousin is a flight attendant on the airplane that crashed into the Pentagon on 9/11 — probably into the side of the building where Everett’s dad once worked (so it goes and goes and goes).
There is a certain lump-in-the-throat quality to E’s memoir that is nicely cut with sweet reminiscences, plain-spoken confessions and good old fashioned piss and vinegar. There are few rock-n-rollers today who are as vital or as relevant as Everett. Would he to publish the Vol. 2 of his “Chronicles.” In the meantime, we can rejoice in the impending release of his first album of new material in four years, “Hombre Loco” (due out June 2nd).