Blame It On the Solo Career

Ever since “Satellite Rides” failed to make them stars and lead singer Rhett Miller cut loose for a middling solo career, the Old 97s have reunited every four years to record a mellow studio album. Their latest, “Blame It On Gravity,” seems slight and easily dismissible, but so did their last long-player, “Drag It Up,” which turned out to be a real sleeper and is probably the Old 97s record that I listen to the most.

As can be expected from a band with multiple songwriters and a moonlighting lead singer, the sidemen deliver some of the best material here. In particular, bassist Murray Hammond, always one to take a star turn here and there, turns in a pair of crooning country ballads (Pick Hit: “The Color of a Lonely Heart Is Blue”) that serve to remind that the 97’s started out as the band that just might save country music. Otherwise, Miller steers the band towards power pop and VH1-style rock.

Rhett Miller remains a clever songwriter with a gift for wordplay and indelible characters, like the kid who “came from Pheonix in a borrowed VW Bug just to prove that he was on her like she was a drug” (“The Fool”) or the lothario who preys on “girls like you with your flip flop smiles and your big blue eyes on vacation” (“Dance With Me”). Most of these songs, particularly the slow burn of “The Easy Way” and the driving “Ride,” merely hint at the incredible power of this band live. Whatever else are “Blame it On Gravity’s” merits, at least it will put the Old 97s back on tour.

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